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San Giovanni dei Fiorentini, St John of the Florentines, is a minor basilica an a titular church in the Ponte ''rione'' or district of Rome. Dedicated to St John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in early 18th and is the national church of Florence in Rome. The main façade fronts onto the Via Giulia. This straight street was an urban initiative, carried out in 1508 by the architect Donato Bramante at the instigation of Pope Julius II Della Rovere, which cut through the irregular urban fabric to the Ponte Sant’Angelo, the bridge which crosses over the Tiber River to the Castel Sant’Angelo and St. Peter's Basilica. ==History== Julius II’s successor, the Florentine Pope Leo X de Medici initiated the architectural competition for a new church in 1518 on the site of the old church of San Pantaleo. Designs were put forward by prominent architects such as Baldassare Peruzzi, Jacopo Sansovino, Antonio da Sangallo the Younger and the painter and architect, Raphael. The dominant initial ideas were for a centralised church arrangement.〔Heydenreich L. & Lotz W., ''Architecture in Italy 1400-1600'', Pelican History of Art, 1974, p.195-6〕 Sansovino won the competition but the building construction was subsequently executed by Sangallo and Giacomo della Porta.〔(【引用サイトリンク】title=Chiesa di San Giovanni Battista dei Fiorentini )〕 In 1559, Michelangelo was asked by Cosimo I de Medici, Duke of Tuscany, to prepare designs for the church and he presented a centralised church arrangement but this was not adopted.〔Heydenreich & Lotz, 1974, p. 257〕 The main construction of the church was carried out between 1583-1602 under the architect Giacomo della Porta based on the Latin cross arrangement. Carlo Maderno took over from 1602-1620 and directed construction of the dome and the main body of the church completed. However, the main façade, based on a design by Alessandro Galilei was not finished until 1734.〔''Guide Rionali di Roma'' , Rione V, Ponte, Parte IV, 1975, p.16 (in Italian)〕 In 1623-24 Giovanni Lanfranco produced paintings for the Sacchetti chapel.〔(【引用サイトリンク】title=Giovanni Lanfranco ) 〕 In 1634, the Roman Baroque painter and architect, Pietro da Cortona, was asked by the Florentine nobleman, Orazio Falconieri, to design the High Altar.〔Blunt, Anthony. Guide to Baroque Rome, Granada, 1982, p.51; Merz, Jorg Martin. ''Pietro da Cortona and Roman Baroque Architecture'', Yale, 2008, pp 87-91〕 Drawings for the altar and its setting and a model were prepared but the project was not carried out. Cortona’s ideas for the choir included windows hidden from the view of the congregation that would illuminate the altarpiece, an early example of the Baroque usage of a ‘hidden light’ source, a concept which would be much employed by Bernini. Some twenty to thirty years later, Falconieri resurrected the choir project but gave the commission to the Baroque architect, Francesco Borromini who changed the design to allow for the burial of Orazio's brother Cardinal Lelio Falconieri. After Borromini died in 1667, the work was completed and partly modified by Cortona and on his death in 1669, by Ciro Ferri, Cortona’s pupil and associate.〔Merz, J.M. 2008,p 90-91〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「San Giovanni dei Fiorentini」の詳細全文を読む スポンサード リンク
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